Updated: Sep 5


Episode 53 is here after a quiet week without an episode and I have a great conversation with IGOR AMADEUS CAVALAERA of GO AHEAD AND DIE. GAAD will be releasing their self-titled debut on Nuclear Blast on June 12. Igor was very open about living in Florida, making music with his father, the messages behind GAAD, their roots, and the concept behind the lost footage style reveals leading up to release.

All of this and more on Episode 53 of the HardRockCore Podcast.

If you want to jump straight to the interview, skip to 3 minutes 16 seconds

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The Cavaleras are just like most families. Who doesn’t appreciate a father/son trip to somewhere remote and relaxing? Except when Max and Igor Amadeus got away together for some quality time, they devoured horror movies and made one of the sickest old-school thrash/death albums in decades.

GO AHEAD AND DIE is a raw, urgent, unrelenting, thrillingly shocking, and vibrant new band. It was born from the mind of creative writer and musician Igor Amadeus Cavalera and the bond of blood and music he shares with his dad, extreme metal icon, and SOULFLY band leader Max Cavalera. Its tempos are wild, its contempt for modern social ills palpable, its riffs monstrous and captivating. They make angry, spiteful, utterly engaging, spirited extreme music for increasingly extreme times.

The self-titled debut sees Max and Igor splitting guitar and vocalist duties, with utter madman style drumming from Zach Coleman of the blistering BLACK CURSE and critically-acclaimed KHEMMIS. It sounds like a relic from the glory days of thrash, proto-death metal, and filthy rotten punk, the kind of band that would inspire a teenaged thrasher in 1987 to carve the G.A.A.D. logo into a school desk.

We wanted it to have that feeling that it’s almost a little dangerous, a little bit on edge,” explains Max. “We weren’t worried about being technical or making stuff sound ‘clean.’ None of that. It was all about unleashing what I like to call ‘caveman riffs.’ It’s not sophisticated. It’s raw and brutal.

Max looked for a Japanese translation of the phrase “fuck you” and learned the closest thing translated back to “go ahead and die.” He shared the Japanese he found with Igor, but Igor suggested they embrace the literal English instead. “It’s really in your face, and I love the reaction it gets,” says Max.

As frontman for HEALING MAGIC, Igor indulges his passion for doomy stoner riffs, J.R.R. Tolkien and related fantasy storytelling, and psychedelia. Killer Be Killed (Max’s band with guys from Mastodon, THE DILLINGER ESCAPE PLAN, and CONVERGE) ventures into increasingly dynamic and heady textures. GO AHEAD AND DIE is an opportunity for both Cavalera men to swim in chaos, bile, and sonic force.

The spirits of crust-punk and early grindcore are alive and unwell in GO AHEAD AND DIE. It’s palpable. Classic bands like DOOM, ANTI CLIMEX, ENGLISH DOGS, EXTREME NOISE TERROR, and DISCHARGE are all reference points. There’s also the sloppy bludgeoning power of bands like HELLHAMMER and the ferocity of TERRORIZER and NAPALM DEATH. (Jeff Walker, one of the guys from CARCASS, even designed the group’s logo.) These are all bands loved by both Max and his son. The senior Cavalera credits Igor with keeping him in the know about young bands, too, like FULL OF HELL and BLACK CURSE.

Titles like “Truckload Full of Bodies,” “El Cuco,” and “Worth Less Than Piss” hint at the devastation to be heard. Across 11 paint-stripping songs, GO AHEAD AND DIE exorcises pain, anguish, and confrontation. No societal ill is safe: the pandemic, religious zealots, crooked cops, politicians who put kids in cages, abusers of all stripes, destroyers of the environment are all in this album’s crosshairs.

We wanted the lyrics to be a big ‘fuck you’ to everything that is going on right now,” Max explains. “Igor also writes books, like Stephen King type stuff. He’s got a wild imagination. He’s a wild kid. It was awesome to get to pick his brain as we worked on the lyrics together. Sometimes I would do the typical Max thing, something simple, and he’d move the words around and make it way better.

Igor appreciated the way his father trusted his creative decisions. “He’s such an important figure. It’s easy for anyone to feel overshadowed by him in any band. He has an imposing sound and aura. I was really happy that he took a backseat a little bit and let me go insane with GO AHEAD AND DIE. I feel like people will be able to hear what I’m bringing to the table with him kind of backing it up. The fusion of those things came out really well, and it was super cool of him to let me take the reins.

At a remote mountain property in the middle of nowhere, in the Arizona desert, the Cavalera boys spent three or four days per week writing riffs together and the evenings watching the collection of dusty VHS tapes left behind on previous family trips. The Universal Monsters movies of the 1920s and 30s; White Zombie (1932); Psycho (1960); and a host of other black-and-white classics were on the menu. Full-color action classics were on hand, too, like Point Break (1991) and Falling Down (1993).

I have this old recording stuff setup that I used all the back to Chaos A.D., the same stuff used for Killer Be Killed demos, everything,” Max explains. “It’s a portable 12-track and drum machine. I’d go there several times a week, hang out with Igor, write music, barbecue, and watch those old movies.

It was essential to keep that purity of intention and vibe in the studio, especially to Igor. “I didn’t want this to be written like an old school record but then recorded in a modern way. It just wouldn’t have come outright. I was the one laying the hammer down about that from the beginning. Like, ‘Dude, this kind of sounds like shit, and it’s awesome.’ If I got a weird look, I’d play it back to them again.”

Vocals weren’t tracked over and over in the pursuit of some kind of “perfect” takes. Coleman didn’t play to a click-track. The heart and soul of GO AHEAD AND DIE is all about just going for it, the traditional way. Engineer Charles Elliot, a guitarist in ABYSMAL DAWN, captured the sessions. The album was mixed by Arthur Rizk, whose credits include POWER TRIP, CRO-MAGS, and CAVALERA CONSPIRACY, the band featuring Max alongside Igor’s uncle, SEPULTURA co-founder Iggor Cavalera.

Spending part of the summer making this record with Igor was a blast. It was so great,” says Max. “This project brings me back to 16-year-old Max. I’m so proud of Igor, man. He was really on point. It was the best way to spend a COVID summer. Making this record was actually what kept me sane.

Line up:


Max Cavalera | Vocals, Guitar

Igor Amadeus Cavalera | Vocals, Guitar, Bass

Zach Coleman | Drums

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